Canvas

mini dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

Read more >


Striking

tent dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

With this design, Molenaar responds to the pulse of the time. Towards the end of the turbulent 1960s, the younger generation threw their parents' modest, casual clothes out the window. After all, authority lost its hold in other social areas as well. Young people started to wear fresher, more accessible and more informal clothing. They allowed themselves more variety and frivolity.


Mary Quant's fresh and rebellious mini fashion is causing a fashion revolution in London. In Paris, renowned fashion houses such as Pierre Cardin, Louis Féraud and Nina Ricci embrace this new, elegant youth fashion, while other fashion giants such as Balenciaga and Givenchy prefer to stick to their couture tradition.

In the Netherlands, the young Molenaar sets the trend with his tent dresses. He sells them in his newly opened shop at Van Baerlestraat 14 in Amsterdam. Here, these exclusive 'boutique' models are made in small quantities in his own studio. In most cases, there is only one piece of each size in the same fabric, sold at reasonable prices.


The wide, cotton canvas dresses have a strict division with diagonal lines in contrasting colors, with little other 'embellishment' than a practical zipper, which often forms part of the division. Perfectly fitting within the clear design concepts of the still young master.

With these fresh and attractive-looking 'beach collections', Frans Molenaar is targeting a younger customer base. That has an effect, because hip Amsterdam can't stop talking about it and flocks to his salon in large numbers. Journalist and broadcaster Ageeth Scherphuis was one of those young Amsterdam customers at the time: 'There was even a line at the door, this was the place to be, those dresses sold out in droves.'

Credits

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

2015 Exhibition

'Ode aan de Nederlandse Mode'

Kunstmuseum Den Haag

1967 - Couture collection

Spring/Summer 1967

Models in front of the boutique

Van Baerlestraat, Amsterdam

Photo: ANP-Ben Hansen

1967 – Boutique

Van Baerlestraat 14

Frans Molenaar next to logo

designed by Josephine Dam-Holt

Photo: ANP - Jacques Klok Photo: ANP - Jacques Klok

1967 – Frans Molenaar

August 1967

Photo: ANP - Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Photo: George van Herwaarde

1967 - Beach Collection

Photo: George van Herwaarde

1972 - Couture collection

Spring/Summer 1972

Photo: George van Herwaarde

Canvas

mini dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

Read more >


Striking

tent dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

With this design, Molenaar responds to the pulse of the time. Towards the end of the turbulent 1960s, the younger generation threw their parents' modest, casual clothes out the window. After all, authority lost its hold in other social areas as well. Young people started to wear fresher, more accessible and more informal clothing. They allowed themselves more variety and frivolity.


Mary Quant's fresh and rebellious mini fashion is causing a fashion revolution in London. In Paris, renowned fashion houses such as Pierre Cardin, Louis Féraud and Nina Ricci embrace this new, elegant youth fashion, while other fashion giants such as Balenciaga and Givenchy prefer to stick to their couture tradition.

In the Netherlands, the young Molenaar sets the trend with his tent dresses. He sells them in his newly opened shop at Van Baerlestraat 14 in Amsterdam. Here, these exclusive 'boutique' models are made in small quantities in his own studio. In most cases, there is only one piece of each size in the same fabric, sold at reasonable prices.


The wide, cotton canvas dresses have a strict division with diagonal lines in contrasting colors, with little other 'embellishment' than a practical zipper, which often forms part of the division. Perfectly fitting within the clear design concepts of the still young master.

With these fresh and attractive-looking 'beach collections', Frans Molenaar is targeting a younger customer base. That has an effect, because hip Amsterdam can't stop talking about it and flocks to his salon in large numbers. Journalist and broadcaster Ageeth Scherphuis was one of those young Amsterdam customers at the time: 'There was even a line at the door, this was the place to be, those dresses sold out in droves.'

Credits

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

2015 Exhibition

'Ode aan de Nederlandse Mode'

Kunstmuseum Den Haag

1967 - Couture collection

Spring/Summer 1967

Models in front of the boutique

Van Baerlestraat, Amsterdam

Photo: ANP-Ben Hansen

1967 – Boutique

Van Baerlestraat 14

Frans Molenaar next to logo

designed by Josephine Dam-Holt

Photo: ANP - Jacques Klok Photo: ANP - Jacques Klok

1967 – Frans Molenaar

August 1967

Photo: ANP - Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Photo: George van Herwaarde

1967 - Beach Collection

Photo: George van Herwaarde

1972 - Couture collection

Spring/Summer 1972

Photo: George van Herwaarde

Canvas

mini dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

Read more >


Striking

tent dresses

These mini dresses or 'tent dresses' are part of the earliest ready-to-wear collections that Frans Molenaar launched in 1967, at the same time opening his couture house in Amsterdam. As an upcoming couturier with limited resources, he wants to attract attention on several fronts. A sense of publicity is second nature to him.

With this design, Molenaar responds to the pulse of the time. Towards the end of the turbulent 1960s, the younger generation threw their parents' modest, casual clothes out the window. After all, authority lost its hold in other social areas as well. Young people started to wear fresher, more accessible and more informal clothing. They allowed themselves more variety and frivolity.


Mary Quant's fresh and rebellious mini fashion is causing a fashion revolution in London. In Paris, renowned fashion houses such as Pierre Cardin, Louis Féraud and Nina Ricci embrace this new, elegant youth fashion, while other fashion giants such as Balenciaga and Givenchy prefer to stick to their couture tradition.

In the Netherlands, the young Molenaar sets the trend with his tent dresses. He sells them in his newly opened shop at Van Baerlestraat 14 in Amsterdam. Here, these exclusive 'boutique' models are made in small quantities in his own studio. In most cases, there is only one piece of each size in the same fabric, sold at reasonable prices.


The wide, cotton canvas dresses have a strict division with diagonal lines in contrasting colors, with little other 'embellishment' than a practical zipper, which often forms part of the division. Perfectly fitting within the clear design concepts of the still young master.

With these fresh and attractive-looking 'beach collections', Frans Molenaar is targeting a younger customer base. That has an effect, because hip Amsterdam can't stop talking about it and flocks to his salon in large numbers. Journalist and broadcaster Ageeth Scherphuis was one of those young Amsterdam customers at the time: 'There was even a line at the door, this was the place to be, those dresses sold out in droves.'

Credits

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Tent dresses in orange-blue canvas

and orange-yellow orange canvas

Photo: Jacques Klok

2015 Exhibition

'Ode aan de Nederlandse Mode'

Kunstmuseum Den Haag

1967 - Couture collection

Spring/Summer 1967

Models in front of the boutique

Van Baerlestraat, Amsterdam

Photo: ANP-Ben Hansen

1967 – Boutique

Van Baerlestraat 14

Frans Molenaar next to logo

designed by Josephine Dam-Holt

Photo: ANP - Jacques Klok Photo: ANP - Jacques Klok

1967 – Frans Molenaar

August 1967

Photo: ANP - Jacques Klok

1967 - Couture collection

Spring/Summer 1967

Photo: George van Herwaarde

1967 - Beach Collection

Photo: George van Herwaarde

1972 - Couture collection

Spring/Summer 1972

Photo: George van Herwaarde